These works are semi-abstract prints on paper created through an interplay of digital and analogue processes, guided by material exploration and sensory engagement. Using alternative photographic methods, I produce editions of photopolymer gravures, collagraphs made from Tetra Pak cartons, and reworked painted collages. Together, these processes generate layered, tactile cartographies in which images are pressed into paper, ink settles into fibres, and surfaces retain fleeting, residual traces of place. Working in a series allows repetition and variation to emerge through subtle material shifts, shaping ideas of place, memory, and perception.

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